“The Yale–Classical Archives Corpus.” Empirical Musicology Review 11(1): 50–58. “Corpus-Derived Key Profiles Are Not Transpositionally Equivalent.” Music Perception 34(5): 531–540. ![]() Finalist, Outstanding Publication Award, Society for Music Theory. “Chord Context and Harmonic Function in Tonal Music.” Music Theory Spectrum 40(2): 314–335 + 15pp. “Tonal Harmony.” In Alexander Rehding and Steven Rings, eds., Oxford Handbook of Critical Concepts in Music Theory. ![]() Oxford Handbook of Corpus Studies in Music. Currently Technical Director of Web Intelligence for Yonder. Kristen Peter Shaffer (Music Theory, 2011): “Neither Tonal nor Atonal”?: Harmony and Harmonic Syntax in György Ligeti’s Late Triadic Works.Currently Assistant Professor of Music Theory, University of Massachusetts at Amherst. White (Music Theory, 2013): Some Statistical Properties of Tonal Harmony, 1650–1900. Currently Associate Professor of Music, University of Victoria. Joseph Salem (Music History, 2014): Boulez Revised: Compositional Process as Aesthetic Critique in the Composer’s Formative Works.Currently Visiting Assistant Professor of Music, University of Oklahoma. Matthew Schullman (Music Theory, 2016): Rethinking Patterns: Associative Formal Analysis and Luciano Berio’s Sequenzas.Currently Data Scientist and Product Manager at Knewton. Andrew Jones (Music Theory, 2017): Harmony and Statistical Temporality: Toward Jazz Syntax from Corpus Analytics, co-supervised with Brian Kane.Daniel Goldberg (Music Theory, 2017): Bulgarian Meter in Performance.Currently Assistant Professor in Residence, Dept.Currently Assistant Professor of Music Theory, University of Connecticut. Stefanie Acevedo (Music Theory, 2020): Harmonic Schemata of Popular Music: An Empirical Investigation of Analytical Patterns and their Mental Representations. ![]() Currently Visiting Assistant Professor of Music, Wesleyan University.
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